Fortress of Perpetual Midnight

On the topic of possible entries for the Ichijinsha Comic Taishō (YuriHime Bumon):

I forgot in the last paragraph that there's also one in S that has a drag queen (thus, the subject clipped from the same quote as before) as pretty much the most important character after the protagonist and heroine. I guess these guys are more palatable than big, hairy gits like the ones in "Spaghetti Western." There have been various men who've appeared in the numerous sad one-shots throughout the years, but those are the only two major ones whom I remember in serials.

Meanwhile, there may be another problem if I have to give up my ownership of the intellectual property as with the contest for my other half, which would mean that it would have to be thrown out if I couldn't get it published. If so, I'd want to make sure that I have the best chance I'll ever have of winning before I risk it. It would be better, of course, if I could instead become an established author/illustrator and thus be considered for publishing without having to take that risk in the first place. I'll have to take a closer look at the rules when I get back to those issues as part of my other stuff I'm supposedly doing. (I can also use that opportunity to look over the previous winning entry and the judges' comments for that and the runners-up to get a better idea of what they want.)

Another consideration is the problem of graphic novels. I've seen that Japanese author/illustrators often have problems getting one-shots that have been published in periodicals printed in more permanent form as they're not enough to make up a full compilation. A common solution is to put them in as extras in volumes of series by the same person, but that wouldn't work very well in my case, because these ones would read right-to-left, while my projects are left-to-right. YuriHime Comics dealt with that through Yuri-Hime Selection, but I don't know whether they'll do that again or how long it'll be in print. Authors sometimes publish sequels/spinoffs/side stories of their own works as dōjinshi, as you may have noticed (also mentioned here), but I don't imagine they're allowed to do that with the stuff that's been licensed by professional publishers.

Speaking of which, I hear that Zettai×Roman actually has quite a lot of stuff that wasn't published in the mooks, including a short from a long-out-of-print anthology, two from another magazine, and further explanation on the one from YuriHime whose details I found quite incomprehensible (also, incidentally, the only one I remember where one of the main characters is anywhere near as promiscuous as in mine). I haven't been bothering to buy the graphic novels as I already have all of the serials, but I suppose I should be checking their introductions to see whether the extras are worth it.

By the by, as I was grabbing links for this post, I found there was a tachi-yomi (reading without buying) page in case you want to try any of the publications.

Upon closer inspection, it was probably just Ron's big-ass revolver. Speaking of his weapons, I find it odd that they feature him holding up the big stone fist and saying, "five-fingered Molly" or some such, considering that when he's using it (I've only seen the end of the first one and none of the comics, so I don't know whether it's a gauntlet, a metamorphosis, or what) it only has four fingers (counting the thumb). It also seems unusual to use "boy" for a muscular 6-ft.-1-in. superhero with that much facial hair. Judging by the CLIX, that's because the "baby" is the size of a grade-schooler.

Some other points about "Spaghetti Western（仮）" that I neglected to mention:

*Although I'm told that "Hispanic" is technically not a race but an ethnic group that includes both blacks and whites, I plan to make them all a tan tone to emphasize the difference from the outsider protagonist. For the same reason, I'm also tempted to have them speak Kansai dialect (mostly because of the "sai"), in which I'm even less fluent than standard. It might be more logical to give them stereotypical rural accents (using the copula verb "da" after verbs and adjectives and the emphasis particle "be"), but that always annoys me because it sounds like bad grammar.

*Also, since it's set in a Spanish-speaking area, I can hardly resist using the first-person pronoun 「予」 ("yo"). Unfortunately, I only know one character who uses it, so I don't have much on which to base the speech patterns. (He's an emperor, so it may not even be appropriate for anyone in the setting.) I've commented before on all the new first-person pronouns I encountered when I first read that series, but I never saw any of them again, except the one that's used by two characters therein, which turned out to be all over the place.

We were hiding out in some Japanese school.

I remember almost nothing from this one, but it was a combination of Raki☆Sta (particularly the bit starting here) and another school series. (It's been so long, I've forgotten what the latter was.) I've never even read or watched the former, but it's one of the ones blitzcon told me he was going to show me long, long ago (but not early enough that I could actually get the videos), so I've been breaking my usual rule in its case. Consequently, most of my knowledge of it is from Ms.?† Maitake's illustrations and comics (although I haven't actually been reading the posts since I haven't even started the series yet), which is undoubtedly skewing my preconceptions of its content.

†You may remember that I fouled up a while back and that I later decided not to worry about it. I neglected to mention that Ms.? Maitake replied the very next day and pointed out that it was clearly stated on the site that duplicating things without permission was prohibited, which rather scuppered a post I'd made.

Meanwhile, when I contacted her/him to ask whether I could post direct links to individual posts, I decided to ask about her/his gender so I could address her/him less awkwardly, but she/he declined to say. (Japanese writers/illustrators sometimes take PNs that would suggest genders different from their own, but I've never seen anything proving that any have made false claims about this. Then again, nor do I have any proof that any Japanese comic writer/illustrator has ever been captured on camera (with the exception of Akamatsu, whose mug I do not fondly remember seeing, particularly considering that he's actually married to a lady who's more than 13 years his junior now), so that's hard to say with certainty, either. You can take this into account for my generalizations in the next paragraph.) I would tend to assume that she/he's a man like me due to the demographics (?) of what she/he seems to find interesting, but that's a bit of a disservice to Ms. Hayashiya, Ms. oneirotsai, and many others. Of course, in English, there aren't any honorifics‡ except title prefixes, so it doesn't make much difference; in Japanese, I've just been using speech patterns somewhere in-between.

I do find it interesting that I see ladies who draw stuff aimed at male audiences all the time (with Ms. Takahashi being the classic example), but never confirmed examples of men drawing stuff for ladies. (The fact that ladies draw lots of yuri, yet I never hear about men drawing much yaoi, is less surprising.) The closest I've seen is Fujieda, who has been suppressing his style (judging by Iono Sama Fanatics, his only independent work I've read) in various YuriHime Comics mooks (and of course the compilations), but although they always use feminine second-person pronouns, the content of even the main series is more moe than shōjo, so he's still a bit short of Jack Nicholson.

‡In my research for Projects Abdiel and Homuncupunk, I was surprised to find that in modern English, the one language I've encountered that has almost no ways of showing respect, we have retained the plural/formal singular objective from the early modern variety as our sole (before conjugation) second-person pronoun.

I didn't end up having enough time for a crunchier post, but here's a simple meme, modified so I can do it:

- Comment[,] and I'll give you a letter.
- You'll then have to list 10 things you love [like] that begin with that letter.
- You may choose to do it at your journal or leave a comment here.
- Afterward, post this in your journal and give out some letters of your own.

My answers (I):

. Iconoclasm
. Independence
. Information
. Inhumanity
. Inquisitor
. The Internet
. Invention
. Iron
. I-TAMA
. Ms. Iwami Shōko's works

I'll fill in the links later.

I found some more stuff I wanted available at jpqueen, so I decided on a whim to try yet another order. If you want anything, you just need to tell me by 2008.06.07 (in a time zone close to the International Date Line), and we can share the shipping. As ever, there's a chance that the items will be bought by someone else if you don't tell me quickly enough, but there's not enough turnaround for it to be terribly important (or for their recommendations to be useful—currently AZUMANGA is associated with yaoi and "Hentai").

As was the case with Spanish back when I thought I knew it, I'm planning also to publish official Japanese versions of my projects. (Of course, as I've noted here, my first one might be a bit heavy on the English even in the Japanese version.) I'm far from fluent, of course, but this way I can provide translations that are much truer to the author's intent than most. The expanded exposure this should provide would also give me a chance to come into contact with people who are fluent, which means I could have a chance to actually learn the language, and perhaps impose on someone to correct my work. (I think I'd have more trouble bothering to make the rest of the appropriate site bilingual to cater to these people.)

Another thing that I've pondered at times is that, since I'm going to have to learn to draw anyway, it would be really nifty if someday I could get one of my works published in my belovèd YuriHime S (not the main Comic YuriHime, as I don't imagine I'll ever manage to write works appropriately feminine or comedic for there—with Ms.? Natsuneko's work there, I might have hope, but it's nothing compared to Picard's, as I'll note later). If I did manage to achieve widespread popularity as noted above, they might let me do it cold turkey, but the more likely way is through the Ichijinsha Comic Taishō （「大正」ではなくて「大賞」） or other yomi-kiri (the comic equivalent of a pilot episode). The problem with that is that, as I've no doubt mentioned before, I don't think of many good one-shot ideas lately, as I'm so absorbed in crafting intricate webs of full-sized projects. (Even Project Cow Level, which was pre-planned to be a short, simple "practice" project, is expected to run to about one graphic novel's worth.)

And yet, oddly enough, I happened to think of an interesting one-shot idea yesterday. Although it relies on a lot of tropes, it has a major setting element that I haven't seen used for this before, and unlike some, the premise is distinctly yuri, not just a romance that happens to be between two ladies. (Oddly enough, the unusual setting for a yuri story may have caused me to have a dream last night about sleeping with a man (don't remember for sure). If so, at least I was the seme. . . .) Of course, as a short story, it doesn't have much to reveal without actually writing it, and I'd rather keep the good parts to myself just to avoid anyone else stealing them. (Yes, that's my delusions of grandeur talking again.)

If this somehow did come to pass, there's the problem that the format only allows 400 characters of commentary, much less than I'd normally use. I'd probably put most of it (and the official English translation) on the Web as a supplement to the published part, as Ms. Miyahara does. For the actual printed version, I'm thinking the essentials are along the lines of 「男で申し訳御座いません。いつか必ずレディーにもよろこんで頂けるまんがを描ける様になりますから、今は違った味でがまんして下さいませな。」 (although I haven't bothered to boot up Word to get a character count).

The "chigatta aji" bit overlaps with the question of how predisposed these Japanese folks will be to publishing stuff by some American git. I can't do much about that, but I might consider working in a more Japanese style than my own. For some reason, it seems to be coming out with a larger-than-usual proportion of pseudo-comical elements despite the fact that I don't have a sense of humor (perhaps to make up for the fact that romance is an alien concept to me), so it'll be an outlier in my portfolio in more ways than one (hey, more dovetailing with the post subject).

By the way, in the excessively megalomaniacal mōsō situation that I actually got to do a serial, Project AnthraXX seems at this point as if it would actually be palatable. Of course, it would be helluva Webcomic time in a quarterly mook. . . .

Who wins?

Notes: These were the most adversarial-looking images I found in appropriate resolutions. I chose to flip the former (forgetting that I'd left some text in) so they'd look a little more like they were facing off, in case the latter had asymmetrical tattoos. As with its predecessor, I hope the image itself doesn't take up much in the way of bandwidth.

For some time, I'd been planning on making a helluva tough fancomic (a one-shot along the lines of Darths & Droids) to hone my layout skillz, but it turned out that my image-editing skillz weren't up to the task (as you can see by the crudely pasted-in text in this one). The chief problems were appropriate panel spacing and word bubbles. I imagine both of these will be solved in comics I draw myself, the former because I'm planning on using graph paper, and the latter because I can draw them myself.

David Morgan-Mar recently posted about Webcomic time and RPG time, both concepts with which I'm quite familiar. The former is of course just as prevalent in other media, including print comics. For instance, in Nana-Misu, the characters have passed through seasonal events several times (including, for instance, two Valentines) but still seem to be the same year in school as they were when they started. In a more extreme example, Ramma 1/2 ran for nine years without any of the characters aging. Less dramatically, STRANGERS IN PARADISE strongly shows the author's changes in style and purpose over the 14 years of writing and drawing, while the characters only aged about eight years. Also amusingly, the kaki-oroshi in CHIBI DEVIL! 2 shows Ms. Satō and Ms. Tōdō in their high school uniforms, despite the fact that the former graduated a couple of years ago in the show, meaning it must have been earlier than that in the original source material (which is confirmed if you look at the publication date of the compilation).

All of this explains why I'm very vague about the temporal setting of Projects AnthraXX and Maddie's Maids, which are set in an approximation of the real world. I'd like them to be generally contemporary, but I don't know whether circumstances will allow me to release them correspondingly (if at all).

For some reason, there've been several follicular jokes today:

*Pat Sajak took off his toupée. (I've been watching this utterly pointless show lately when there isn't anything interesting to watch in just the half hour between CA$H CAB and JEOPARDY! At least last week they had a free contest. It wasn't for anything I wanted, but it was free anyway.)

*Alex Trebek grew his mustache back (black this time) between episode tapings in one day, then shaved it during a CM break.

*Aussie geeks have long hair, but no beards. I'd've cast the darker-haired guy as Qui-Gon because the colors match better that way, and his five-o'-clock shadow is more prominent because of the contrast. (I have that problem as well. Geeks are too lazy to shave daily.) Apparently, they also have tiny dinosaurs on the dinner table in Ms. Skywalker's house. (Apparently Mos Espa slaves are allowed to own a lot of property.)

Nothing from Ms. Hayashiya this year or last year. I only remember her here because of the bomb she dropped in '06. From what I hear, she's doing just fine with Ms. Makise (although she doesn't talk about their relationship, so we just have mōsō).

Just for the hell of it, I feel like typing a bit about the ideas behind my PN.

מיכאל: This one comes, of course, from the name of the angel (one of only two named in the Old and New Testaments). He's often considered to be one of the big shots (as the meaning, "who is like god(?)," suggests), although his common title of "archangel" is second from the bottom in the nine-order hierarchy that's so popular (and used in Ten-Kin, significantly). I also like his common designation as commander of the celestial host, as well as how Ten-Kin and Shiharu Genesis portray her/him as a berserker type, which fits well with me. The spelling is to make it less generic and to differentiate between the common Anglicization that turns it to two syllables, thus blobbing together the two Hebrew words, and the (I believe) more accurate pronunciation. (Interestingly enough, in Japanese, they approximate each pronunciation separately （「マイケル」・「ミカエル」), despite spelling them both with the "ch" in English as everyone else does.)

One of these days I'll actually get around to memorizing how to write it, so I can actually sign things (in theory).

偉闇: In addition to legal names, it appears that Mother's family marks its children with Cantonese given names. This is mine, altered slightly for symbolic purposes. Any of you who know me can probably guess how (even if you don't know Chinese characters, since you can just look them up on Wiktionary). This is another way of making my name not just the same-old same-old, as the other two parts are so generic.

王: Chinese surnames are nothing if not straightforward. Again, you can see the meaning for yourselves. It's also really easy to write.

It is rather odd to have a name that is read partially right-to-left and partially left-to-right, but that doesn't really bother me.

Typing of which, it turns out that all the years (just barely "all" rather than "both") since I developed the project, I was mistaken in thinking it was a "tower." That scuppers my connection to the Tower of Babel. Of course, the reference to the gargantuan folk of that particular residence hall ends up being worthless, because upon closer inspection, Alighieri seems to have invented the part about Nimrod & Co. being giants himself (since I didn't find it anywhere else, and it's so mentioned in His Majesty's article).

P.S. Hmm, I always wondered where Ms. Yuki got the name "Etemenanki."

Now that I've finished with the comics for the time being, it's time to get back to Project Cow Level. Currently, the main problem there is that no one has expressed interest in doing the coloring for me, so I'm probably having to learn to do that myself. In particular, a story about dwarven prospectors tends to have a lot of underground scenes, so I'm going to have to worry about lighting whenever they're dealing with those who don't have darkvision. (The darkvision is taken from the SRD, so it's in monochro; to make it consistent with the rest, I'm going to have to color those parts and then grayscale them. More interesting will be the parts where dwarves are looking at places that are partially lit. . . .)